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Vivian Della Chiesa
Vivian Della Chiesa (October 9, 1915 – January 6, 2009) was an American lyric soprano who achieved a high level of popularity in the United States singing on the radio during the 1940s and the early 1950s. She performed a wide variety of classical and popular works from opera to musical theatre, jazz, and popular songs. She sang on a number of radio programs during her career, including ''The American Album of Familiar Music'', ''The American Melody Hour'', and ''The Standard Hour'' among others. A particularly important triumph for her radio career was a 1943 radio concert of Brahms’s ''Deutsches Requiem'' with conductor Arturo Toscanini and the NBC Symphony Orchestra. In addition to her radio career, Della Chiesa performed actively on the opera stage, mostly at the Chicago City Opera Company and the Chicago Opera Company, during the 1930s and 1940s. In the 1950s, she became a successful nightclub singer, headlining at major clubs in Las Vegas, Reno, and in major venues in other cities throughout the United States. After her singing career ended she worked as a voice teacher and a fundraiser for charity.
==Early life and education==
Della Chiesa was born into an Italian family in Chicago. Her mother, Dulia (Morelli) Della Chiesa, was an accomplished pianist, whose father had been a conductor in Italy.,〔”DELLA CHIESA, VIVIAN,” Current Biography 1943. Maxine Block, ed.; The H.W. Wilson Company: New York, NY (1944)), pp. 164-5.〕 and who initiated Vivian's training in piano at an early age. Vivian Della Chiesa also studied singing and violin and was, by age 10, interested in opera. She also studied foreign languages, gymnastics and dancing. She attended the Roosevelt High School in East Chicago, Indiana, and the Chicago Musical College.
While in her teens Della Chiesa studied for three years with Marion Claire of the Chicago Opera Company. These lessons were financed by "a rich woman who was a philanthropist.".〔Diane Ketcham, “In a Master Class, a Diva, 82, Teaches the Essence of Feeling”, New York Times, August 3, 1997, p. LI 1.〕 Studies began with Forrest Lamont, formerly a leading tenor of the Chicago Opera, in 1934, and continued until his death at the end of 1937.〔Michael F. Bott, “Forrest Lamont,” The Record Collector, Volume 48 No. 3 (Sept. 2003) p. 231.〕
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